For instance, we are told that Dutt acquired three AK-56 rifles and bullets without a licence out of fear for his Dad's and his sisters’ safety following threats to Dutt Sr for his missionary work among Muslim riot victims in 1992-93 in Mumbai. Abhijat Joshi and Hirani – who are credited with Sanju’s story, screenplay and dialogues – have cherrypicked facts and bathed their selectiveness in large doses of affectionate indulgence for their protagonist. The words are Dutt’s, but hey, they are all being verified by Diaz, so you gotta buy into them. Hirani does all this through a well-chosen narrative device: Sanjay Dutt trying to convince an acclaimed London-based biographer called Winnie Diaz to make him her next subject, while she parallelly investigates his claims about himself. The film skips Dutt Jr’s childhood and takes us through his work on his debut film, his mother’s illness, his rocky relationship with his father, his alcoholism and drug addiction, the allegations of involvement in the 1993 Mumbai bomb blasts, his arrest under the draconian and now lapsed TADA, the acquittal on terror charges and conviction under the Arms Act, his jailing and ultimate release. Sanju is the story of Sanjay Dutt, Bollywood superstar, acclaimed actor, convicted criminal, son of the screen legend Nargis and the much-respected actor-activist-politician Sunil Dutt. The fact though is that this is one among many moments of insincerity in the film. Because Sanju, writer-editor-director Rajkumar Hirani’s biopic of Sanju Baba, is anything but honest. The scene offers a precis of what Sanju wants you to believe it is: an honest account of a controversial star.
Far from being flattered by the comparison, Dutt is appalled and throws Tripathi out of the house.ĭutt/Baba is on the lookout for a biographer, you see, and what this interaction conveys is that he wants to tell the unadulterated, undiluted truth. It is a clever line to take in a hagiography since Bapu, of course, is the father of the nation Mahatma Gandhi, Baba/Sanju Baba is Dutt’s nickname, and the actor’s most popular screen role till date has been of a modern-day Gandhi devotee. In that passage, Tripathi has drawn parallels between the lives of Bapu and Baba. As Sanju opens, a chap called DN Tripathi reads aloud from a book he has written on Bollywood star Sanjay Dutt to the man himself.
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